Angel Olsen

 

Angel Olsen
5

Territory

Europe/UK

5

Label

5

Links

v

Bio

 

The descent into darkness is a trope we find time again across history, literature and film – a protagonist plunging further and further into the depths. But there is also an abyss above. There is a winding white staircase that goes ever upward into the great unknown – each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. 

Olsen’s flight is both upward and inward. Olsen’s artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.

“I guess you could say some bold and unexpected things have happened in my life” Olsen said. “It feels like part of my writing has come back from the past, and another part of it was waiting to exist.”

All Mirrors gets its claws into you on both micro and macro levels. Of course, there’s that singular vibrato, always so very close – seemingly simple, cooed phrases expand into massive ideas about the inability to love and universal loneliness. And then suddenly – … huge string arrangements and four horsemen bellowing synth swells emerge, propelling the apocalyptic tenor. Throughout All Mirrors, Angel fully lets in the goth tones that always lurked at the ends of her song craft.

“In every way – from the making of it, to the words, to how I feel moving forward – this record is about owning up to your darkest side,” Olsen said. “Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more.”

The first step of All Mirrors, was conceiving a back-to-basics solo record, which she recorded with producer Michael Harris in Anacortes, Washington. Soon after that was completed, a more ambitious version of the album began to percolate in her mind. This second, more maximalist version of All Mirrors evolved slowly with producer John Congleton, arranger Jherek Bischoff, Swiss Army Knife musician/arranger Ben Babbitt, and a 14 piece orchestra.

“I was determined to keep it bare bones in order to contrast with the not yet recorded full band record”Olsen said. “I wanted to have versions of these songs that are completely raw and real in the way some of my earlier recordings are, so that I could have the choice to play alone or with a band.”

While remaking the album with full production and new collaborators, Olsen developed a new relationship with control. And in that process, she developed an even clearer vision of herself as an artist. 

“It’s scary to be your own compass, to trust new faces, to be a stranger – but sometimes that’s the only way forward,” she said. “When you’ve been in a repetitive cycle so long it’s difficult for anyone to see you as someone who could come out of it. When you’ve made an example of yourself that people expect, some voices remind you of that example even when you know in your heart you’ve made changes.”

“As I see it, in order for an artist to survive some kind of change, change needs to be a constant. For myself that constant change means having some kind of epiphany or clarity expressed in song. I don’t know if it’s something I inspire or attract, or if it’s just in the way I’m looking at my surroundings, but drama is something that surrounds my world and always has. I’m at least happy that I’ve learned to write it down.”

Video/Audio

 

w

Selected press

 

“Marks anther giant progression in an already distinguished career, and offers provocative thoughts on sacrifice and identity that should outlast its 48-minute runtime“. – Uncut 9/10

“Angel Olsen’s latest is her best record yet, a bracing mix of sounds and styles congealing around songs of pain, sadness, and hope.” – 8.8 Pitchfork (best new music)

Dates

 

Date City Venue Country
22/01/20 Lisbon ZDB @ Capitólio Portugal
Buy Tickets
23/01/20 Lisbon ZDB @ Capitólio Portugal
Sold Out
24/01/20 Porto Hard Club Portugal
Buy Tickets
25/01/20 Madrid Sala BUT Portugal
Buy Tickets
26/01/20 Barcelona Sala Razzmatazz Portugal
Buy Tickets
28/01/20 Geneva Festival Antigel Switzerland
Buy Tickets
29/01/20 Muenchen Kammerspiele Germany
Buy Tickets
30/01/20 Berlin Huxleys Germany
Buy Tickets
31/01/20 Copenhagen (DK) Vega Denmark
Buy Tickets
01/02/20 Oslo (NO) Rockefeller Norway
Buy Tickets
03/02/20 Oslo Vasateatern Sweden
Buy Tickets
04/02/20 Goeteborg (SE) Pustervik Sweden
Buy Tickets
05/02/20 Hamburg Gruenspan Germany
Buy Tickets
06/02/20 Amsterdam (NL) Paradiso Netherlands
Buy Tickets
07/02/20 Antwerp De Roma Belgium
Buy Tickets
08/02/20 Paris (FR) La Cigale France
Buy Tickets
10/02/20 Bristol SWX United Kingdom
Buy Tickets
11/02/20 London Eventim Apollo United Kingdom
Buy Tickets
13/02/20 Manchester O2 Ritz United Kingdom
Buy Tickets
14/02/20 Glasgow (UK) Barrowland United Kingdom
Buy Tickets

Pin It on Pinterest